Triptych

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"Lisa Morgan is the possessive wife Pauline, a performance similar to Morgan's award-winning turn last season as Albee's harridan in Virginia Woolf. Typecasting sometimes can be a good thing; certainly Inside Out director Kim St. Leon struck pay dirt in this case."

Jack Zink - South Florida Sun Sentinel

"...the always inventive Morgan, here first among equals, manages to find within the larger than life Pauline the frightened woman hiding behind the bravado."

Christine Dolen - Miami Herald

"Triptych has its appeal, most of which has to do with Lisa Morgan's uncanny ability to hold a stage."

"Apart from Triptych, I've seen Morgan twice in the past year: once in Hatchetman, at Florida Stage, where she came on like Kathy Bates with a riding crop, and once in Golda's Balcony, a one-woman show in which she played Golda Meir. Kathy Bates and Golda Meir are wildly different characters, and Morgan was unrecognizable within them. Even now after spending six hours in a theater with the woman, I have no idea what she might be like in person. Nothing about her remains consistent from part to part - not the way she moves her feet, not the expressions she uses to convey joy or ire, not the timbre of her voice, nothing. Her aura changes, and its wild to see."

Brandon K. Thorp - Broward-Palm Beach Newtimes